I totally loved cocked up "recompositions" of songs, complete with gay sampled guitars where applicable. I mean I guess it's cool for a title tune, sort of. If you like guitars that sound like a toy.
They're SO GREAT CAUSE TIIIIIIIIIM FOLIN MADED THEM.
And what the hell is this about? The first level omits the classic tune that gets you pumped for your epic adventure...... and replaces it with some repetitive background noise.
All of the Amiga tracks lack that eerie horror movie vibe that was present even in the NES GAME. It's replaced by stupid peppy nonsense and whatever else you want to call it.
Maybe if the stuff wasn't in Ghouls n Ghosts it would be ok. It doesn't fit the game at all and just sounds like Tim being full of himself and taking artistic liberties since everyone verbally strokes the guy off. IM TIM FOLLIN, THEYLL LOVE IT.
As for the Amiga, I've had a bunch of Amigas over the years. The exclusives aren't worth a damn and the rest of the stuff is better elsewhere. Too many games are up to jump, one button centric disasters because of stupidity. Some games support multi button, but the majority... nope. You are atari-joysticking that crap.
and I stress the term crap.
When you've got a PCE+CD and a Sega Genesis + CD, what the hell do you need an Amiga for besides a doorstop?
EDIT:
See, why the hell didn't he just do this again, with better instruments?
But this in no way saves the game itself which is another WHERE ARE THE f*ckING SOUND EFFECTS AT disasters. If I recall correctly that is. I don't remember there being SFX on the C64 one, to my disappointment.
and I believe the first tune sounded like reggae, and then I shut that crap off and played Temple of apshai.
