Author Topic: Satoshi Miyashita, aka Groove King  (Read 791 times)

spenoza

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Satoshi Miyashita, aka Groove King
« on: May 24, 2011, 05:40:15 AM »
So, this dude is the key man responsible for the excellent LoT soundtrack. Anyone know if he's done anything else on the PCE?

Also, why on earth doesn't T's Music have a Wikipedia entry in the US site?
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Tatsujin

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Re: Satoshi Miyashita, aka Groove King
« Reply #1 on: May 24, 2011, 01:25:34 PM »
Does the LoT (Mega CD) and the WoT (PCE) sound track come both from T's Music?

Btw. does someone know if the Dodonpachi OST comes from T's Music as well? Damn it just sounds like Sapphire.
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spenoza

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Re: Satoshi Miyashita, aka Groove King
« Reply #2 on: May 24, 2011, 02:18:04 PM »
I do not know if the MD version is also Ts Music. The PCE version is and the music composer is Groove King. On the Hudson Best CDs, however, they are attributed to Satoshi, and Satoshi is apparently a bass player.
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Tatsujin

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Re: Satoshi Miyashita, aka Groove King
« Reply #3 on: May 24, 2011, 02:23:57 PM »
Ah sorry, strange question from my side. Sure thing the WoT (pce) came from T's :lol:

Just wanted to know about the Mega CD version.

Thx for the add. infos :)
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Keranu

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Re: Satoshi Miyashita, aka Groove King
« Reply #4 on: May 25, 2011, 05:05:20 PM »
I do not know if the MD version is also Ts Music. The PCE version is and the music composer is Groove King. On the Hudson Best CDs, however, they are attributed to Satoshi, and Satoshi is apparently a bass player.
In that case, I gotta give Satoshi props for the thick bassline in the fire level of LoT; my favorite track in the game!
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spenoza

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Re: Satoshi Miyashita, aka Groove King
« Reply #5 on: May 26, 2011, 02:52:16 AM »
I have a lot of respect for bass players and drummers who turn out to be fine composers, considering that they play instruments that are not associated with melody lines.
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hoobs88

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Re: Satoshi Miyashita, aka Groove King
« Reply #6 on: May 26, 2011, 03:13:48 AM »
I do not know if the MD version is also Ts Music. The PCE version is and the music composer is Groove King. On the Hudson Best CDs, however, they are attributed to Satoshi, and Satoshi is apparently a bass player.
In that case, I gotta give Satoshi props for the thick bassline in the fire level of LoT; my favorite track in the game!

My favorite track too!
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geise

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Re: Satoshi Miyashita, aka Groove King
« Reply #7 on: May 26, 2011, 12:25:18 PM »
Man I've been meaning to post an interview with the guys at T's Music from the 1st and "almost" only issue of GameGo Magazine.  It's a pretty decent interview.  I'll have to scan it and post it.

ParanoiaDragon

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Re: Satoshi Miyashita, aka Groove King
« Reply #8 on: May 26, 2011, 04:35:53 PM »
 :shock:  Post it now!! :D

spenoza

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Re: Satoshi Miyashita, aka Groove King
« Reply #9 on: May 26, 2011, 04:58:47 PM »
geise, please do post it. I would really like to read it.
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Tatsujin

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Re: Satoshi Miyashita, aka Groove King
« Reply #10 on: May 26, 2011, 05:17:07 PM »
www.pcedaisakusen.net
the home of your individual PC Engine collection!!
PCE Games coundown: 690/737 (47 to go or 93.6% clear)
PCE Shmups countdown: 111/111 (all clear!!)
Sega does what Nintendon't, but only NEC does better than both together!^^

nodtveidt

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Re: Satoshi Miyashita, aka Groove King
« Reply #11 on: May 27, 2011, 08:55:32 AM »
The soundtrack for the Sega CD version of LoT was NOT produced by Ts Music but in-house staff at Hudson Soft.

SOURCE: a letter from Sega Of America in 1998, which I unfortunately no longer have. :(

Tatsujin

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Re: Satoshi Miyashita, aka Groove King
« Reply #12 on: May 27, 2011, 02:22:36 PM »
Great thanks Rove and the others for the infos :D
www.pcedaisakusen.net
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PCE Shmups countdown: 111/111 (all clear!!)
Sega does what Nintendon't, but only NEC does better than both together!^^

spenoza

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Re: Satoshi Miyashita, aka Groove King
« Reply #13 on: May 27, 2011, 05:02:02 PM »
So Hudson re-performed all the tracks? They certainly didn't simply remix them. The sounds is too far off. Now, the PCE tracks aren't perfect. They tend to go all quiet in places to keep the volume steady, which is somewhat normal in most music, but they overdo it and the transitions aren't subtle. But the actual performances are fantastic. The Sega CD soundtrack sounds a little cleaner and clearer, but it's junk. Who wants cleaner, clearer bad versions of songs? It's like a modern, but crappy, Beatles cover band. Their recordings, if made in modern studios, might sound a little sharper, but their covers suck so why bother?
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SignOfZeta

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Re: Satoshi Miyashita, aka Groove King
« Reply #14 on: May 28, 2011, 05:45:54 AM »
I have a lot of respect for bass players and drummers who turn out to be fine composers, considering that they play instruments that are not associated with melody lines.

I started playing bass about two years ago. I initially got into it because I considered it an idiot's instrument that anyone could play and it would compliment the skills I have in other idiotic instruments. I also wanted to sound like Peter Hook.

After studying it for a while though I realized I was wrong. Its true that anyone can play bass if you show them how, but after learning to play a bunch of songs I starting to listen really close to every song for the bass line. What I've learned is that bass is HUGELY important to song writing. Its not just a tone that plays in part with the guitar. Honestly, a lot of times its the other way around. Take a band like Iron Maiden, for example. Their bass player is possibly he most important member of the band. He writes almost all the music and he's the only guy (I think) that has been in the band uninterrupted since its creation. Honestly...even though we all love Maiden for Bruce Dickinson (we do all love Maiden, right?) Steve Harris is more important because the band and its songs wouldn't even exist without him.

Another band I like, The Killers (so sue me) is heavily bass dependent. Many of their songs pretty much are the basslines. The guitar chords could just be synth chords added in post and do the same job.

Also, The Cure. They do a lot more with bass than most bands, playing New Order style with more FX. Lots of high notes, melody, etc. But even so the bass is absolutely integral and in this case as well the bassist is a huge part of making the music.

Now, if you want to start a Kiss tribute band (because we need more of those) then...the guy you know with the least musical talent? Give him the bass. Since he's not writing anything and we're only talking about Kiss songs (Kiss music is shit, btw) his job will be really easy. Anyone can do that as long as they have two functioning arms. The bassist's role in a real band though is really f*cking important. Once the drums and bass are there, the rhythm is established, the key is established, the guitarist...all that's really required of him is to complete the last %15 of a jigsaw puzzle.

Unfortunately, as with many things, its really hard to convince people of this until they've done it themselves, and at that point it doesn't work because when a bass player says that the bass player is crucial, it just sounds like a guy defending his useless station in life.